tenses

Simple Present Tense
1.i study hard
2.you always came late
3.we never go the zoo
4.the usually play
5.he speak english well
6.she seldom calls her darling
7.it depends on the weather

 present continuous tense

In English, "now" can mean: this second, today, this month, this year, this century, and so on. Sometimes, we use the Present Continuous to say that we are in the process of doing a longer action which is in progress; however, we might not be doing it at this exact second.

Examples: (All of these sentences can be said while eating dinner in a restaurant.)

• I am studying to become a doctor.
• I am not studying to become a dentist.
• I am reading the book Tom Sawyer.
• I am not reading any books right now.
• Are you working on any special projects at work?
• Aren't you teaching at the university now?

USE 3 Near Future

Sometimes, speakers use the Present Continuous to indicate that something will or will not happen in the near future.

Examples:

• I am meeting some friends after work.
• I am not going to the party tonight.
• Is he visiting his parents next weekend?
• Isn't he coming with us tonight?

USE 4 Repetition and Irritation with "Always"

The Present Continuous with words such as "always" or "constantly" expresses the idea that something irritating or shocking often happens. Notice that the meaning is like Simple Present, but with negative emotion. Remember to put the words "always" or "constantly" between "be" and "verb+ing."

Examples:

• She is always coming to class late.
• He is constantly talking. I wish he would shut up.
• I don't like them because they are always complaining.

REMEMBER Non-Continuous Verbs/ Mixed Verbs

future perfect tense

Verbs that use être in the past ("House of Être" verbs, reflexive verbs) also use être in forming the present perfect. For example, je serai venu(e) uses the future of être because of the action verb, venir (to come), which uses être in the past.
To form the future form of the auxiliary verbs, one uses the future stem and adds the endings -ai, -as, -a, -ons, -ez, -ont. Both avoir and être have irregular future stems; while, with the exception of -re verbs, most verbs use the infinitive as the future stem (e.g. je parler ai, I will speak), the future stem of avoir "is" aur, and that of être is ser.
To form the past participle in French, one usually adds -é, -i, and -u to the roots of -er, -ir, and -re verbs, respectively. However, there are many exceptions to this rule, including these commonly used ones (and all of their related verbs):

• faire: fait
• mettre: mis
• ouvrir: ouvert
• prendre: pris
• venir: venu

Verbs related to mettre ("to put"): promettre ("to promise"); to ouvrir: offrir ("to offer"), souffrir ("to suffer"); to prendre ("to take"): apprendre ("to learn"), comprendre ("to understand"); to venir ("to come"): revenir ("to come again"), devenir ("to become").
When using être as the auxiliary verb, one must make sure that the past participle agrees with the subject: je serai venu ("I [masc.] will have come"), je serai venue ("I [fem.] will have come"); nous serons venus ("We [masc. or mixed] will have come"), nous serons venues ('We [fem.] will have come"). Verbs using avoir do not need agreement.
To make this form negative, one simply adds ne (n' if before vowel) before the auxiliary verb and pas after it: je n'aurai pas parlé; je ne serai pas venu. For reflexive verbs, one puts the reflexive pronoun before the auxiliary verb: from se baigner ("to take a bath"), je me serai baigné; negative: je ne me serai pas baigné.

 FUTURE TENSE

The most common auxiliary verbs used to express futurity are will and shall.
Prescriptive grammarians distinguish between these, preferring to express the simple future as will in the second and third persons and shall in the first person, and preferring to express obligation or determination in the opposite cases. However, in modern English worldwide, shall and will are generally used interchangeably,^[4] with will being more common. See also shall and will.
Other periphrastic forms for the future include:

• to be going to + Verb, e.g. John is going to leave tonight.
• to be to + Verb, e.g. John is to leave tonight, which with the zero copula of newspaper headline style becomes simply to + Verb, e.g. John to leave tonight.

A periphrastic form for the immediate future is

• to be about to + Verb, e.g. John is about to leave (any minute).

A dialectical form in Northern England is:

• mun, derived from Old Norse, which implies obligation.

In all dialects of spoken English both shall and will are commonly elided into 'll (I'll go could be either "I will go" or "I shall go") so that the differences between the two have been worn down.
English also uses must, should, can, may and might in a similar way:

• Must expresses the highest degree of obligation and commitment (I / you must go) and is temporally nearest to present time in its expression of futurity ("I must go now.")
• Should (the subjunctive form of shall in this context) implies obligation or commitment to the action contemplated.
• Can implies the ability to commit the action but does not presuppose obligation or firm commitment to the action.
• May expresses a relatively low sense of commitment (I may go) and is the most permissive (You may go); it can also suggest conditionality (I may go [if I have time]).
• Might expresses a very low sense of commitment or obligation (I / you might go if I / you feel like it).

English often employs the simple non-past (base form or base form + s in the third person singular) to convey scheduled futurity, as in tomorrow I leave at 5:00.
The simple non-past form is mandatory for expressing the future in a dependent clause when the main clause uses will, shall, or (be) going to: I will see you when I get there (not ...when I will get there); If you build it they will come (not If you will build it...); she will not know that I am there (not ...that I will be there).

Summary of forms

• I will/shall go
• I'm going to go / I am going to go
• I'm to go / I am to go
• I'm about to go / I am about to go
• I must go
• I should go
• I can go
• I may go
• I might go
• I go

To express futurity in the negative, a negative adverb such as not or never is inserted before the main verb (or the suffix -n't is added to the auxiliary), as in all other auxiliary constructions:

• I will/shall not go.....I won't/shan't go.....Will/shall I not go?.....Won't/shan't I go?
• He's not going to go / He is not going to go.....Is he not going to go?.....Isn't he going to go?
• He's not to go / He is not to go.....Is he not to go?.....Isn't he to go?
• He's not about to go / He is not about to go.....Is he not about to go?.....Isn't he about to go?
• I must not go.....I mustn't go.....Must I not go?.....Mustn't I go?
• I should not go.....I shouldn't go.....Should I not go?.....Shouldn't I go?
• I cannot go (cannot is conventional rather than can not).....I can't go.....Can I not go?.....Can't I go?
• He may never go.....May he never go?
• I might not go.....I mightn't go.....Might I not go?.....Mightn't I go?

In all of these, action within a future range of time is contemplated. However, in all cases, the sentences are actually voiced in the present tense, since there is no proper future tense in English. It is the implication of futurity that makes these present tense auxiliary constructions amount to a compound future quasi-tense.

 PUISI

My mother bore me in the southern wild,
And I am black, but O my soul is white!
White as an angel is the English child,
But I am black, as if bereaved of light.
My mother taught me underneath a tree,
And, sitting down before the heat of day,
She took me on her lap and kissed me,
And, pointing to the East, began to say:
‘Look on the rising sun: there God does live,
And gives His light, and gives His heat away,
And flowers and trees and beasts and men receive
Comfort in morning, joy in the noonday.
‘And we are put on earth a little space,
That we may learn to bear the beams of love;
And these black bodies and this sunburnt face
Are but a cloud, and like a shady grove.
‘For, when our souls have learned the heat to bear,
The cloud will vanish, we shall hear His voice,
Saying, “Come out from the grove, my love and care,
And round my golden tent like lambs rejoice.”‘
Thus did my mother say, and kissed me,
And thus I say to little English boy.
When I from black, and he from white cloud free,
And round the tent of God like lambs we joy,
I’ll shade him from the heat till he can bear
To lean in joy upon our Father’s knee;
And then I’ll stand and stroke his silver hair,
And be like him, and he will then love me.

 PRICE TAG

Seems like everybody’s got a price
I wonder how they sleep at night
When the sale comes first and the truth comes second
Just stop for a minute and smile
Why is everybody so serious?
Acting so damn mysterious
You got your shades on your eyes and your heels so high
That you can’t even have a good time
Everybody look to their left
Everybody look to their right
Can you feel that? Yeah
We’ll pay them with love tonight
It’s not about the money, money, money
We don’t need your money, money, money
We just wanna make the world dance
Forget about the price tag
Ain’t about the cha-ching, cha-ching
Ain’t about the ba-bling, ba-bling
Wanna make the world dance
Forget about the price tag
We need to take it back in time
When music made us all unite
And it wasn’t low blows and video hoes
Am I the only one gettin’ tired?
Why is everybody so obsessed?
Money can’t buy us happiness
Can we all slow down and enjoy right now
Guarantee we’ll be feelin’ alright
Everybody look to their left
Everybody look to their right
Can you feel that? Yeah
We’ll pay them with love tonight
It’s not about the money, money, money
We don’t need your money, money, money
We just wanna make the world dance
Forget about the price tag
Ain’t about the cha-ching, cha-ching
Ain’t about the ba-bling, ba-bling
Wanna make the world dance
Forget about the price tag
Yeah, yeah, well, keep the price tag and take the cash back
Just give me six strings and a half stack
And you can keep the cars, leave me the garage
And all I, yes, all I need are keys and guitars
And guess what, in 30 seconds I’m leaving to Mars
Yes, we leaving across these undefeatable odds
It’s like this man, you can’t put a price on life
We do this for the love, so we fight and sacrifice every night
So we ain’t gon’ stumble and fall, never
Waiting to see, a sign of defeat, uh uh
So we gon’ keep everyone moving their feet
So bring back the beat and then everybody sing, it’s not about
It’s not about the money, money, money
We don’t need your money, money, money
We just wanna make the world dance
Forget about the price tag
Ain’t about the cha-ching, cha-ching
Ain’t about the ba-bling, ba-bling
Wanna make the world dance
Forget about the price tag
It’s not about the money, money, money
We don’t need your money, money, money
We just wanna make the world dance
Forget about the price tag
Ain’t about the cha-ching, cha-ching
Ain’t about the ba-bling, ba-bling
Wanna make the world dance
Forget about the price tag
Yeah, yeah
Oh, forget about the price tag

 collection of poems

roads to the city paris
many houses in rows
let me die tip kris
sweet home to my sister who ...

to buy a cap Cimanggis
do you find beautiful skullcap
so many girls who stop
only my sister who captured the heart

if I'm a hunter
I found her fawn
if my sister was jealous
a sign of love is still true

where it is coming leech
from the field down to the times
where it is coming in love
from the eyes down to the heart

Very romantic collection of love poems:

well candy
for I drink herbal
wherever you go
I miss you slalu

although only the fruit of guava
but it can be mixed
though rarely met
my love just for you

O one who yearns reed serulig
his voice appealed
O girl pujaanku
I really love you

though I'm full
still have to take medical
My dear woman
Could I visit
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